1986 FPC DC Comics Calendar Poster

Fellow children of the '80s likely longed for this swell looking calendar, featured in ads across various DC titles. It looked like a normal calendar, with 12 rectangular images of swell characters by top talents, incorporating the monthly calendar. There was a couple of cheats, in that the George Pérez New Teen Titans image was "zoomed in," obscuring six other partially visible sections, and obliterating a second. Further, all of those other images were barely more than postage stamps, and all of them were in black and white. It was a tantalizing tease though, including a Gil Kane Sword of the Atom (featuring Princess Laethwen;) a Joe Kubert Sgt. Rock & Easy Company; a Luke McDonnell/Jerry Ordway group shot of Green Lantern John Stewart, Firestorm, Hawkman, Wonder Woman, and Martian Manhunter; Keith Giffen Christmas with Ambush Bug & Cheeks; plus a very licensing on-model Superman (Ross Andru?)

It was produced by FPC, or The Federal Publishing Co. Pty. Ltd., who distributed black & white DC Comics reprints in the Down Under. In fact, the ad running, in the original U.S. comics, added the unusual shipping penalty of $1.50 extra outside Australia-- which is, y'know, all of us buying the original North American editions. Like, almost everybody on Earth is somewhere besides Ozzieland, which has less than 27M population, only 0.33% of the global population. I live in the state of Texas, with nearly 31M, and that's only one (admittedly populous) of 50 United States, and these things went to Canada, too (40M.) At $6.50 in 1985 dollars, that's $19.00 today, including shipping, which actually isn't that bad when I consider it. But it's pretty hefty for something expected to be thrown out on a year, which might be why I've never seen one in the wild. But also, it's a one-sheet poster, not a flip calendar, with the Marshall Rogers Batman & Robin crowding into four of the other images (molesting a small portion of the previously unobscured Titans portion.) Other characters revealed in the final release are Blue Devil & Amethyst by Paris Cullins, and... wait... that's it? A twelve month calendar with only eight images, because several months do double duty, and one triple. What a rip-off.

Captain Atom #3 (May, 1987)

On an analogue for Nightline, Captain Atom appeared for a television interview, where he revealed his "secret origin." In actuality, he retold his Silver Age origin, and retconned his Charlton published stories into a government crafted cover story for public consumption. The major difference was that Captain Atom was supposed to have been acting in secret within the DCU for years, "training" to be a super-hero in his old gold costume. As his powers developed, he switched to a red and blue costume that incorporated his silver skin, and fought covert (fictional) villains like Dr. Spectro, Drako and the Fiery Icer. However, Atom retired for three years after meeting and loving a terminally ill wife, Eve. On her deathbed, she made him swear to go public as Captain Atom.

While the taped interview was being broadcast, military brass ordered Captain Atom to clean up after a nuclear submarine. Adam refused, using the incident as a bargaining tool to force Eiling into finally allowing him to be reunited with his children. His grandstanding called into question Eiling's control over the project in front of Admiral Place, but Eiling stood firm. "If the problem here comes down to your denying the Captain the right to see his children-- you're going to have some serious explaining to do to the Joint Chiefs!"

Goz found out the travel itinerary of Adam's daughter Peggy, and Captain Atom flew to Dulles International Airport to greet her as Captain Cameron Scott. Margaret Eiling no longer went by "Peggy," and wasn't interested in some military man trying to hit on the General's daughter. Adam was left standing alone, sickened by his own daughter having sized him up as dating material, all the while the spitting image of her dead mother.

Feeling naive and stupid, Captain Atom realized his kids were adults only a few years younger than himself. They had been raised by Eiling, and would never accept Adam as their father again. Feeling depressed and out of place, Atom journeyed under the ocean to take care of the submarine situation. However, he ignored Dr. Megala's warning about absorbing the energy slowly and from a safe distance...

"Blast From The Past" was by Cary Bates, Pat Broderick and Bob Smith. This was the true continuation from the first issue, with the best art and character development so far. Captain Atom's straight-faced b.s.ing of Ted Koppel on national television displayed a comfort with reshaping the truth uncommon in DC heroes. His willingness to play hardball with Eiling also spoke to previously unseen gravel in his guts. The reworking of Charlton continuity was equal parts clever and galling, as was the co-opting of recently minted storytelling innovations by Miller and Moore in service to an unapologetic super-hero plot. Exploring the loss of Adam's relationship with his still-living children offered much greater pathos than yet another hero kneeling at the gravestone of a loved one. At 28, Adam is old enough to have been invested in his family, but young enough to be attractive to his daughter and (by implication) return the sentiment while seeing what was essentially the reincarnation of his bride. Yes, it's icky, but it's also ambitious, a hallmark of this period that helped set Captain Atom apart from all the cosmic-powered Peter Parkers before and since.

Captain Atom #2 (April, 1987)

After a few weeks of strategic immersion into the history that had passed him by, Nathaniel Adam was given the new cover identity of Cameron Scott, while "Captain Atom" was bandied about in the media. Batman was dismissive of another new super-hero following the G. Gordon Godfrey crusade, while Superman was ever optimistic. Blue Beetle felt a weird kinship with the new guy, while Firestorm saw competition. "From what I've seen and read about him so far, this chrome-plated 'Captain...' is nobody I couldn't burn atomic circles around any day of the week!"

Adam was letting Cameron Scott roll around in his brain as if it were "James Bond." Military intelligence had given him his first mission-- infiltrating a Quebec secessionist terrorist cell. Scott was initially accepted by the group's leader, a beautiful redhead, but ended up stripped nude and left in a death trap. Adam's sweat would trigger a bomb strapped around his waist, as he'd been informed by a video left by Plastique. Dig how the plot was pure Dr. Evil, but the medium was them newfangled VCRs Adam was just learning about.

Adam managed to turn into Captain Atom before triggering the bomb, and even managed to fly fast enough to grab some secret plans Plastique had left behind to get blowed-up. Très commode! In a twist almost as jarring as when it turns out the SWAT team isn't busting into Jame Gumb's house as Jodie Foster approaches the front door, Cameron Scott isn't surprised when Plastique is undercover as a reporter at a press conference with President Ronald Reagan and Canadian Prime Minister Brian Mulroney. He's not even there. Instead, he had run into his best friend, Sergeant Jeff Goslin, after eighteen years. Goz didn't recognize Adam at first (White hair? Sunglasses? Comic books.) but they were soon hugging in reunion. It was cut short when Captain Atom was needed elsewhere.

Atom finally figured out that the location designated on a map he'd seen related to a suicide bomber's planned position. Atom saved the guy, then tortured him for seven seconds with molecular heat to dope out the next target. It was a granny packing a bomb in the Statue of Liberty. The Captain saved the monument, but not the terrorist. Finally, Captain Atom confronted Plastique at the press conference, who must have been part anime heroine by managing to change into a skimpy costume between panels, but not kill the president or P.M. Captain Atom absorbed her energy blasts, then knocked her out with one punch for the cover of Life. Batman reconsidered his earlier criticisms, while Superman and Blue Beetle were validated. Firestorm? "I was the first one to fight Plastique! If I had been on the case-- she never would've gotten near that press conference! You're still a small-time hero, Captain Atom... and someday Firestorm will be the one to prove it! Maybe someday soon."

"A True American Hero?" was by Cary Bates, Pat Broderick and Bob Smith. The art was much better this time, but still not quite up to Broderick's usual standard. He clearly relished drawing Plastique and her cleavage again, but her appearance was a sticking point. The first super-villain the new Captain Atom fought was a minor Firestorm sparring partner whom he beat in seconds. That's not very respectful of the source, and makes Atom seem like a spin-off besides. Captain Atom's real foe at time was his own gullibility, and he's carried over Firestorm's signature underachievement by taking on generic bad guys he clearly outmatches. Also, his primary characterization remains a lame sense of humor, so the appeal of the new character is all in the visuals.

Captain Atom #1 (March, 1987)

A brown-haired man sat nearly nude in a silver pod being lowered miles below the Earth's surface. Electrodes strapped all over and cameras trained on him, Adam told bad jokes to calm his anxiety. Dr. Megala was sympathetic, but Colonel Eiling reminded "Nathaniel Adam was found guilty of treason and sentenced to die. If he survives this experiment, the government has agreed to commute his sentence and make him a free man. That prospect does not 'amuse' me..."

Encased in seemingly indestructible metal taken from a downed alien spacecraft, Adam hoped to soon return to his loving wife and young children. If not, he'd made Eiling promise to deliver a letter that the Colonel instead ripped up. A multi-megaton bomb was detonated, leaving no trace of Adam, the extraterrestrial pod, or even any remaining radiation...

Jeff Goslin was Adam's best friend in the military, and passed along what information he could to his wife "Ange." The UFO had crashed in Nevada a year earlier, and the presumed dead "little green men" inside were put on ice. The ship was immune to the most powerful weapons around, and Nate was being used to determine its outside extremes. "Lissen up. This is the same Cap'n Adam who went down with his plane 30 miles inside Cambodia and managed to walk out again a week later. The man's a natural-born survivor..."

An amorphous pink humanoid form appeared from nowhere in the desert, and unintentionally brought down a jet fighter with its energy beams at Winslow Air Force Base. Conventional weapons bounced right off it, but the creature eventually laid down on its own. Taken into custody, military scientists observed the creature slowly absorbing outer layers of mass into itself, becoming more human in appearance. It turned into a silver-skinned human male. General Eiling wanted an up close look as the creature opened its eyes. "Eiling... What happened to you. You look so... old!!"

Eiling cleared the room, then hammered at what appeared to be Nathaniel Adam. "I remember your sense of humor, Captain. I still do not share it." Eiling told Adam about his rise in rank, and the deaths of John Wayne, Martin Luther King, Bobby Kennedy, Johnson, Humphrey, Jack Benny, Anwar Sadat, Indira Ghandi and John Lennon. "Your wife is dead too." Adam was sufficiently provoked, so Eiling hit him with nerve gas and claimed he was an inhuman creature that attacked him. No one was to get near the thing without his orders.

Eiling next consulted Dr. Megala, who had deteriorated physically from needing leg braces to a fully automated body. Megala believed the alien metal had needed sufficient time to absorb the explosion, with the excess energy it could not immediately absorb used to fuel a "quantum leap" through years of space-time. Eiling feared what Adam represented, and had no intention of allowing Megala further access. Instead, he had Adam stuffed into a rocket meant to launch a new communications satellite, and ordered Megala's death.

Babylon, Megala's brawny Black aide, injected the assassin with the potassium chloride intended for the doctor. Both men went into hiding. Captain Adam also escaped death by using his energy powers to explode the rocket within the atmosphere, and learned to fly to safety under his own power. Adam traveled to his family's home, but found it vacated, with Dr. Megala and Babylon anticipating his arrival. Adam agreed to join Megala in hiding, so that his powers could be studied and a means found to restore his full humanity before reuniting with his wife.

Government agents found Megala's hideout, and observed from afar. Tests found that Captain Atom's skin was impervious to injury, and that he could access "quantum potential" to fire unlimited energy at will. His silver skin could absorb and repurpose energy as simple as flames or as complex as lasers. Adam could effect his field of gravity to allow for flight propulsion, and he had incredible strength. Finally, Adam managed to reclaim his human form when desired.

General Eiling followed this progress, and when the time was right, alerted President Reagan. Eiling's forces took over Megala's home, and the General had Adam fly them both to the grave of Angela Eiling (1938-1982.) After mourning for three years, Ange married Wade for eleven years before dying one night of a heart attack in her sleep. "Perhaps our years weren't as idyllic as the years of young love she shared with you... More mature, certainly less passionate, perhaps." Wade had raised Adam's children. "Margaret is 23 next month. Randall is 26." Ronald Reagan was under no obligation to honor any agreement made to Nathanial Adam in 1968, but in 1986 would allow him a measure of freedom if he acted as a deep cover agent and public super-hero...

"Point of Origin" was by Cary Bates, Pat Broderick and Bob Smith. For an extra quarter, the book ran forty pages without ads, and obviously took advantage by spanning eighteen years and dumping loads of exposition. For the times, it was somewhat decompressed, since the heroic Captain Atom wasn't really introduced and didn't get to fight a super-villain. Still, it told a fairly complete origin story with lots of subplots generated, a wealth of supporting characters, and an antagonist to truly make the blood boil. The art was somewhat off in its weird proportions and general inconsistency, which may be due to the page count or the collaborative process. That would improve with time, just as did the main character and stories.