Sunday, November 25, 2012

The Top 10 Peacemaker Covers

"A man who loves peace so much that he is willing to fight for it!" It's the sort of conflicting concept that seems to turn off readers. Leftists see a man packing a gun (a whole arsenal, actually) and recognize a hawk, while right-wingers could do without all that hippie talk getting in the way of explosions. Despite being a diplomat by day, Christopher Smith had the capacity to maintain a sunny grin while watching people burned alive in the usually more staid Silver Age that inspired the creation of the Comedian, so conservatives should have more readily embraced him. Instead, Peacemaker was ahead of his time at Charlton, then behind the times at DC, hopelessly goofy in his bucket helmet and jetpack. To make up for it, DC went the "mature" route of making the character a delusional homicidal maniac who heard the voice of his dead Nazi father (among others,) which even in the heyday of the anti-hero was laying the trauma on too thick to be entertaining. Smith ended up on the receiving end of a massacre perpetrated by Eclipso, then got replaced and retconned a few times, but to my knowledge has yet to find purchase in the New 52.

Honorable Mentions
Peacemaker #1 (1988)
Peacemaker #4 (1988)
Eclipso #13 (1993)

Dishonorable Discharges
Charlton Premiere #3 (1968)
Who's Who: The Definitive Directory of the DC Universe #17 (1986)
Checkmate #23 (1989)



10) The Peacemaker #4 (September, 1967)
Goofy and plainly off-brand in its amateurish composition, but not without a modest goofy charm.


9) The L.A.W. (Living Assault Weapons) #3 (November, 1999)
This was an attempt by two guys who started their careers at Charlton, Dick Giordano and Bob Layton, to give back to the Action Heroes. It was a firm flop, much too flat and retro for its own good. The best thing about Peacemaker is his unique look, so of course it was decided to bring out a new guy in brassy armor that resembled a henchman Iron Man would crumple up on his way toward a respectable opponent. If I remember correctly, this guy was a medic and more of a dove, which isn't what anyone honestly looks for from a guy in this racket. At least this spotlight cover was laid out well.


8) Vigilante #36 (December, 1986)
A blatant rip-off of the infamous Frank Miller cover where the Punisher plugs Daredevil, it's still cool and dramatic to see the anti-hero so thoroughly bust a cap in a straight-laced type less crazy-ass altruistic serial killer.


7) Showcase '93 #6 (June, 1993)
Mike Zeck excels at military hardass swagger, but is undone by the most boyish of fellow heroes and an unfortunate coloring choice.


6) The Peacemaker #2 (May, 1967)
It's a poor man's Blackhawk cover, and nobody wants a static headshot cover from Peacemaker, but it's alright amidst slim pickings.


5) Peacemaker #2 (February, 1988)
Half the covers in this mini-series were so miserably botched as to seem designed to repel audiences, Producers-style. This stock, serviceable image was fantastic by comparison, like pitting Jacob Zuma against Idi Amin in an election.


4) Eclipso #11 (September, 1993)
Audwynn Jermaine Newman isn't even anyone's favorite Bart Sears knock-off, but when you've had as few opportunities to strike a pose in full Chromium Age spectacle as Peacemaker, you cherish the ones you get.

3) The Peacemaker #5 (November, 1967)
Peacemaker is well suited for battling mutants in a dystopia, and it makes me wonder if that fauxhawk influenced OMAC.

2) The Peacemaker #3 (July, 1967)
For once, the bucket helmet doesn't seem out of place, and you have to appreciate the subtext of the subhuman "other" threatening the provocatively attired white woman while waving his phallic knife obliviously into the scope of a gunfight. Freud called to point out that sometimes a comic book cover is totally not just a comic book cover.

1) The Peacemaker #1 (March, 1967)
Doubled as a superb house ad, and would have also made a fine euphemistic cutaway from a queer orgy scene. And the rockets' red glare...

Cornucopia of Top Comic Covers
The Top 10 Peacemaker Comic Book Covers

Wednesday, November 21, 2012

Wednesday, November 14, 2012

The Atom: Big Little Man



Doll Man was introduced in 1939, probably the first shrunken super-hero, and I suspect inspired by the 1936 Todd Browing horror flick The Devil-Doll. While never really an aspirational concept, Doll Man had visually interesting adventures. Coupled with the success of the 1957 sci-fi classic The Incredible Shrinking Man, it's easy to see where Julie Schwartz would get the idea to revamp the diminutive Golden Age DC hero the Atom as an even smaller scale Tiny Titan. Despite solid stories and fantastic art, the Atom never caught on in a big way. After a few years, he partnered with the similarly flailing Hawkman, until their shared book was cancelled not too terribly long after. Previously, the Atom had anticipated the creation of Marvel's Ant-Man, and both became more famous as insecure members of super-teams than as soloists. The Justice League of America was the Mighty Mite's primary vehicle in the 1970s, where he married Jean Loring, just as Hank Pym had Janet Van Dyne in the Avengers.



Recognizing that shrinking alone wasn't a marketable novelty anymore, creators had physicist Ray Palmer become trapped among a race of six inch tall alien barbarians in the early '80s, riding a wave of popularity in the sword and sorcery genre. When that faltered, DC tried to sell a hard-edged Post-Crisis revamp, but it lacked the talent and direction of contemporary efforts company marketing unfortunately directly compared it to. A positive step was made in making the Atom a spy, but there was little follow through. He was soon back to being the uptight old fogey Silver Ager, then de-aged to lead a lame Teen Titans relaunch. Re-aged, the Atom puttered around the periphery, until his suddenly murderous ex-wife Jean Loring turned him into a bit of a pariah. At least she was the one who was ruined as a character, as opposed to Hank Pym, who will forever be the wife-beater with emotional problems of the Marvel Universe.



Infinite Crisis launched a new Latino Blue Beetle, and chased that with an Asian Atom who was soon joined by a Latina Question. I've argued a number of times that a Chinese scientist with the power of shortness is a cluster of stereotypes just waiting to be mocked by general audiences, but Ryan Choi had a good-natured everyman charm that many responded to. His solo book only lasted two years, but given the state of the industry, that reads as more of a success than Ray Palmer's previous attempts at an ongoing. Still, Ryan Choi was killed off for shock value, giving Ray Palmer the chance to hanging out with all the white guys who were reclaiming their mantles (often from minorities) in the early '00s, like Hal Jordan, Barry Allen and Oliver Queen.



Despite running an Atom blog, I'm not especially interested in the premise. There are a bunch of other underwhelming shrinking characters in comics, and Ant-Man is far more relevant to the Marvel Universe than the Atom is to DC's. Al Pratt was rather dull, his legacy Damage was annoyingly emo, Atom Smasher was the poor man's Colossus, and Ryan Choi was just an Asian Peter Parker-- The Walking Dead if it starred Glenn. No, what I am is a fan of Ray Palmer, and specifically one take on the character. I hate it when Ray questions his value and place in the universe. The Atom of Gardner Fox and Gil Kane was an alpha male working to tame the one a-type gal worthy of his good looks, athletic prowess, and superior brain. His ego was quiet, but inversely proportionate to how small he could shrink. That guy vanished in the '70s, but resurfaced in the '80s through the Sword of the Atom. I love Ray Palmer for his convoluted history, his brutal effectiveness, and for being so intense for such a little guy.



Ray Palmer is everything that's supposed to be appealing about Hal Jordan, if Hal wasn't the flip-flopping, pandering, backstabbing Mitt Romney of comics. Speaking of which, I think comic books need a non-white Green Lantern, if only because Jamie Foxx can swagger in a way Ryan Reynolds can't and get a response from international audiences. I don't see the relevance of Barry Allen or Wally West as the Flash when the biggest Latino hero in the present DC Universe is Vibe. I would vastly prefer Connor Hawke as a zen archer than Oliver Queen and Clint Barton battling over which can be a more perfect duplicate of the other (or more often lately, how well Green Arrow can stand in for Batman on the CW.) On the other hand, like Aquaman, the Atom isn't an especially desirable role to play, and wouldn't even necessarily be recognizable as anything but a white dude. A female, Asian or not, begs immediate comparison to the Wasp. Latinos and Asians suffer enough short jokes without a hero to associate the jab with. I could see an East Indian, though that would be more fun with John Jones, since his Silver Age tales were constantly on the verge of breaking out into an outrageous Bollywood musical number. The best bet at pulling off a racial shift would be African-American, since that would run contrary to a lot of old cultural biases, and would be a damned sight finer than Cyborg's token role in the Justice League. A white Ray Palmer has already been introduced in the New 52, and while he need not become the Mighty Mite in this continuity, I hope he either wholly owns the role or is completely divorced from a truly All-New Atom of color who creates their own legacy without his assistance. I still want my type of Atom to be manifested, because there are far too many Shrinking Violets already. Regardless of race, if the Atom lacks punch and cannot truly separate from the packs of human dolls out there, he'll just repeat the same failures as the tired old one.

Post-Racial DC Comics?

Thursday, November 8, 2012

2010 “The Atom's Family: Ant” animation-style fan fiction by N:TAS

Click To Enlarge

N:TAS DCU: The Atom's Family: Ant 10-12-10


"NightwingTAS" continues his Atom animated series concept cavalcade from the Super Buddies message board by reaching across the aisle...
"Bobby Whit had a hard life,his mother and father died in a drive-by from his father's connections to gangs when he was real young. Bobby was sent to live with his Uncle Eddie, who loved him a lot, and vowed to make sure he didn't leave hiim down the way he felt he had Bobby's father. As he got older Bobby realized he wasn't like everyone else he was getting stronger, his Uncle Eddie told him that his Grandfather was a Strongman in the circus and his Grandmother an acrobat. One day Eddie was kidnapped by the same gang boss that killed his father.

Eddie worked at STAR Labs and the boss wanted a project he was working on, but Eddie refused. Bobby found the message the gang had left behind and in anger he grabbed a statue to throw it and a secret door opened up. In the door was old costume, and a type of watch. Bobby looked at the the watch and accidently activated it when he did a swarm of ant nanites covered his body in a hard nanite net costume. Eddie was amazed by this, the nanites were powered by a dwarf star that allowed Bobby to shrink and return to his normal height at will. Bobby found his uncle but by the time he got there it was too late, his Uncle Eddie severly injured. Bobby brought the gang down, finally putting the man responsible for his parent's deaths behind bars.

Back home Eddie told Bobby about his brief stint as Ant and how he planned on using the nanite tech to become the Ant again, but now the nanites had bonded with Bobby's neural net, which had effectively become like the Queen Ant and controled the nanites by thought, and his leg was too damaged. Eddie agreed to train Bobby and allow him to become the Ant, and would lend him support from their headquarters which they dubbed the Ant Hill."

"Hard life?" "Parents killed in a "drive-by?" Raised by Uncle Eddie? Excuse my race-sense tingling, but I'm interpreting that to mean that when the mask comes off, Spencer Tracy and Katharine Hepburn are going to be shocked to find Cuba Gooding Jr. at their dinner table. The origin recalls elements of Cyborg and the Jason Rusch Firestorm, but the costume absolutely screams Irredeemable Ant-Man. Might as well create a talking anthropomorphic mouse to hang out with Swamp Thing at the Corridor of Continuities. It also bugs me (*pun*) that Eddie was just sitting on this technology, which the stumble bum Bobby inherits by virtue of an immature display of anger. Maybe if Eddie was already injured, and had developed Ant with Bobby's father, so that it was more of an inheritance? I do think incorporating nanites into the shrinking mechanism is cute, as it forces tiny things to become tinier in order to shrink a second party, which is amusingly comic-booky in its logical illogic.

The Hawkman & The Atom Family mixer continues this week with Zauriel of Hawkworld @ Being Carter Hall

Wednesday, October 31, 2012

The Atom Special #1 (1993)



Professor Alpheus V. Hyatt created the Time Pool, a portal to the past "the size of a medium pizza." Ray Palmer was a natural choice to explore the potential of the diminutive doorway, and had in many Silver Age adventures. Unfortunately, Hyatt was never able to expand the size of the Time Pool, and instead busied himself with miniaturizing the hardware that produced it. Hyatt had it down to the size of a VCR when one day, a hand holding an old fashioned alarm clock appeared out of the Time Pool. The numbers and hands fired out of the clock and into Hyatt's face, leaving him bleeding and unconscious.

The Loaded Dice Mob had supposedly given "the Justice Society a very small amount of trouble back in '43," but the geriatric precursors to the Royal Flush Gang were down to knocking over a local fast food joint. The Atom stealthily showed up to unleash a grease trap on one, swat guns away from others, and straight up deck the last old man standing. At one point he did almost get swatted by a spatula into a deep fryer, but he adjusted his weight to coast on heat fumes and recover. The cause of this brief slip in aptitude was a vision of Laethwen burning to death on a gas range. "He can't see her. He can't hear her. But he can still smell her flesh cooking. That was no hallucination. Was it?"



In the aftermath, a rude cop ribbed the Atom about his tell-all memoir, his lack of friends afterward, and news of Hyatt's hospitalization. "Officer... don't take this the wrong way, but... shut your big mouth before I float inside and rip your molars out." The Atom traveled by phone line to Ivytown General's Intensive Care Unit, only to find Jean Loring and Norm Brawler waiting in the lobby. Norm had gotten into an argument with Hyatt's doctor over his unwillingness to even attempt to remove the intricate time bomb attached to Hyatt's face, while the physician pointed out that this was all the fault of their association with the Atom. Brawler shrank away from the point. "Hyatt needs a hero... and the only one we know ratted out on us." Brawler wanted to kick Ray's butt for making "noble speeches" about it being to dangerous for him to stay in Ivytown, then leaving his friends in the lurch. "He's just too immature to stay around and clean up his own messes!" Proving the point, Ray tied Norm's shoelaces together and knocked him over.



Ray had a discussion about microsurgery with the doctor, and then went in to Hyatt's room to visit his cantankerous friend. In his place, Ray saw his father on his deathbed, began crying, and then screamed in a panic "I need a doctor! Now! He's dying" Everyone rushed in to find Hyatt wondering what all the fuss was about. The doctor politely told the Atom not to worry about performing that surgery after all, while quietly wondering about the effects of all that size changing on the brain. Ray's best friend Norm and ex-wife Jean then left Palmer to join Paul Hoben at a bar to bitch about Palmer behind his back. In a book heavy with exposition related to the Mighty Mite's continuity, this was where the levee broke. Ray's origin was retold... His turning his back on civilization to live with a six inch barbarian culture in the Amazon, including his lover Princess Laethwen... the fire set by the C.I.A. to smoke Palmer out that destroyed this new life... Ray's revenge of shrinking the rogue unit down and trapping them... Paul was as usual a jerk, especially when his affair with Jean that broke up her marriage to Ray came up. Palmer, who had been spying the whole time, finally revealed himself by dousing Paul with his brew. Ray then discussed his short time living a normal life as "Professor Don Shuffler," his setting up Adam Cray as a new Atom serving the Suicide Squad, and Cray's murder as a result. Palmer was filled with self-pity and regret, which Norm brusquely attempt to snap him out of. However, Ray stated "I'm going to help Hyatt. Then I'm getting out of your lives for good."



Outside the bar, Ray was confronted by the image of the rainy night he caught Jean and Paul making out in a car. Ray shook it off, then tried to get an operator to connect him to the Hanesworth Estate. The Atom had to show up on her desk, spouting about his (expired) JLA membership to finally get through. Ray figured all of his circumstances added up to his archenemy Chronos, including apparitions of Adam Cray getting stabbed through the back with a nail in the estate's shag carpeting. While distracted, a cat swiped its claws across the Atom's back, so he sent it flying with a judo maneuver. That move kind of blew his cover, and one of Chronos' men escorted Ray to his master. However, the Gene Bomb set off by the Dominators during an alien invasion of Earth had left Chronos in a coma.

Within the speck upon a fork, the Atom built a home away from home out of molecules where he could hide from the world. Still, even on a bit of food debris, a man's got to eat. Ray grew off the fork into Hyatt's dining room, then raided his fridge. Norm began to knock on the front door, and when Ray tried to ignore him, beat down the door. Once inside, Brawler phantoms of Ray's dad in the deathbed with tiny Adam Cray getting impaled on the sheets and the Princess was cooking on the stove while Jean and Paul made out on the couch. Norm was flabbergasted, but once Palmer got over the shock, he was thrilled to learn the ghosts were not figments of a delusion as he had feared. "You saw them? You saw them, too? All right... all right... we're going to figure this out." If someone could make the Atom's fears manifest, they could surely fake Chronos in a coma (I know, I know, it's serious...)



The physicist deduced that Chronos had used the clunky old Time Pool generator to find and steal the portable new one. The original filled the better part of Hyatt's office, so it remained accessible to Palmer, who figured out how to use it to connect to the location of the current model. The Atom thanked Norm for saving his mind, then dived into the Time Pool. Meanwhile, Norm was drugged and kidnapped by a henchman. Chronos had set a trap for the Tiny Titan as well, involving "weird temporal/spatial advances" that knocked him out. Ray Palmer woke up at six inches tall and stripped down to his boxers. Chronos had his costume, and joked about spicing the drab thing up with pinstripes. See, Chronos really was in a coma, but his younger self had managed to travel through time to reverse his fate. He'd used the Time Pool to steal itself, but Chronos had to learn how to use Atom's size altering belt before he could exploit it. Threatened with the possible execution of Norm, Ray relented to giving Chronos what he wanted... seemingly.

Norm's head had been shoved into the Time Pool, and while Chronos and his men were distracted extracting it, Palmer used a metal stirrer to pole vault to the compact generator. Activating it, Ray tossed the device through the Time Pool it created. Chronos objected, but was stabbed through the hand. The device landed on a vanity table in 15th century France. Chronos blindly reached into the pool to try retrieving it, but instead knocked it off the tabletop. The device broke as it hit the floor, the Time Pool immediately dried up, and Chronos' severed right arm landed on the vanity. His wristwatch was still in fine working order though, so the French made the best of this unexpected treat. "Henri! Pour me a brandy and dispose of the arm!"



Chronos was screaming bloody murder and going into shock, but while the Mighty Mite was trying to save his life, Chronos was still ordering his henchmen to attack. The mobile lab everyone was in was somehow contained in a limousine, so Brawler performed a running headbutt on the driver, who skidded into a tree. Everyone ended up at the hospital, and while police congratulated Norm as a hero, he acknowledged being heartened by the Tiny Titan proving his own heroism once again. The Atom payed Hyatt a visit, and against the objections of his doctor, cockily performed successful microsurgery. The Atom returned to his cabin on the fork, and kicked it down, recognizing that he could no longer hide from his problems. "Goodbye, Laethwen, Adam, Dad. Rest in peace. Please." Ray Palmer grew up, tossed the fork in the garbage, and joined a homecoming party in his honor. Enrica Negrini worked in a cameo.



"Shrinking From The Past" was by Tom Peyer and Steve Dillon. I read this a year or two after it was released, when I was actively exploring the greater DC Universe after abandoning Marvel Comics and moving beyond Batman/Superman/New Titans. This came out during the death and rebirth of Superman, which was noted by Jean during the exposition fest. I thoroughly enjoyed hearing about the weird winding course of the Atom's travels for the first time. I knew the character from cartoons and team books, but had no idea he'd gotten up to such shenanigans, and the material covered here was mostly just late Bronze Age. It was much darker and more violent than I expected, and unlike the deconstructed icons of the Chromium Age, that suited the Atom. Compared to DC's other Silver Age revivals, The Atom was definitely the most action oriented book, as if a pint-sized hero took the edge off all those brutal blows in a time of speed tricks and lantern constructs. Sword of the Atom was gory as hell, which made sense for a quasi-barbarian saga, and it was only natural for Ray to take some of the jungle with him back to the States. I like how Peyer used ambitions of a mental breakdown to regress Palmer back to his insecure days in the '70s Justice League, only to work him over to the smug fighting form of his earliest adventures by the end of the tale. I absolutely love Steve Dillon's art on this, as his thoughtful faces and bursts of savagery are well suited to the character, and I can't think of a single super-hero he's ever nailed so fully (Punisher included.) Dillon was unquestionably better off on Hellblazer, but it's still a shame this creative team never made it to series. As a more knowledgeable Atom fan, this comic doesn't hold up that great, but it's still an ideal primer for neophytes.


Join the Spooktacular Samhain Celebration at this coven of blogs!

GHOSTS ANNUALS

  1. "Bough Breaks" @ Batman: Gotham Knights Online
  2. "Haunts" @ The Flash: Speed Force
  3. "Dead Calm" @ The Aquaman Shrine
  4. "The Distance Gone" @ Diana Prince is the New Wonder Woman
  5. "Ghosts' - The Corpse Corps!" @ Green Lantern: Corps Conjecture
  6. "The Death Sentence" @ Superman: Great Krypton!
  7. "Heart's Afire" @ Martian Manhunter: The Idol-Head of Diabolu
  8. "Life Itself" @ The Captain's JLA Homepage

HALLOWEEN HEROES

Thursday, October 25, 2012

2010 “The Atom's Family: Smidgen” animation-style fan fiction by N:TAS

Click To Enlarge

N:TAS DCU: The Atom's Family: Smidgen 10-10-10


"NightwingTAS" continues his Atom animated series concept cavalcade from the Super Buddies message board by employing "Sword of the Atom" as anatomical allusion...
"After he and Jean split up, Ray went to live among the Katharthans, and fell in love with Laethwen, their beautiful Katarthan princess. The Katarthans and their village were soon believed to be wiped out by a horrible fire and the Atom returned to Ivy Town. What Ray didn't know was that the Princess as well as some others had escaped just before the fire was set. Laethwen was told that Ray had returned and perished in the fire. Laethwen returned home and gave birth to the daughter Ray never knew he had. On the day of her coranation Laethwen told their daughter, the new Princess Raeanna about her father Ray Palmer, The Atom of the Planet Earth. Raeanna always knew she was different, her skin was a different color, but was told that it was just a pigment disorder. Raeanna also had a natural ability to grow and shrink at will.

During the Infinite Crisis Ray had went MIA traveling the Multiverse, as Donna Troy, Kyle Rayner, and Jason Todd set out to find him, they discovered the Katarthans and Raeanna, hearing that her father was still alive Raeanna asked for her mother's permission to join these 3 in their search for her father, and Laethwen granted it to her and presented her with a costume much like the one that her father had worn while living with them.

When Ray had returned to Earth he discovered he had a daughter, Raeanna. Rae took a name that her mother had given her ever since she was a baby, Smidgen. Smidgen fights along her father's side and is getting to know not just him, but her new home, Earth."

I like this better as an Elseworlds than canon, since it's pretty convoluted and ages the hell out of Ray Palmer. The costume is a genderbent kick.

Get Familiar

Thursday, October 18, 2012

2010 “The Atom's Family: Molecule” animation-style fan fiction by N:TAS

Click To Enlarge

N:TAS DCU: The Atom's Family: Molecule 10-08-10


"NightwingTAS" continues his Atom animated series concept cavalcade from the Super Buddies message board with teen team spirit...
"Tony Johns lived his life quietly always blending in to a crowd almost disappearing. Tony never knew about his true parentage until the Silver Lantern Argent and the Teen Titans East approached him. They revealved to Tony that he is really half H'San Ntall, a alien race who impregnated 9 woman and sent 8 of them back to Earth to give birth to them so upon their 16th birthdays their powers will kick in and they will be better able to invade Earth. Upon hearing about this Tony wanted to run disappear, anything, but what he did shocked him, he shrunk. He eventually returned to his original size and after talking to Argent Tony decided to join the Teen Titans East and become Molecule. Argent presented Molecule with a costume that resembled the one that The Atom wore when he was a Teen Titan with her. Molecule and Argent grew close and the two have begun dating."

I think Molecule was one of the legions of icon derivations Geoff Johns came up with for Teen Titans in the wake of 52/One Year Later. His biography at Titans Tower.com consists of "The super-shrinking adventurer known as Molecule joined the Teen Titans for a short time after the events of Infinite Crisis. Molecule was later murdered by the Terror Titans." Seems N:TAS elaborated here, and I like how he tied the character into Dan Jurgens' run. The costume is distinctly Molecule's own, and I think this is one of the better extensions of "The Atoms' Family."

Get Familiar